•  Bruce LaBruce Retrospective, MoMA, New York

•  Skin Flicks: The Films of Bruce LaBruce, Bell Lightbox, Toronto, CA
•  Obscenity, The Hole, New York, US
•  Obscenity, Maguey Award International Film Festival, Guadalajara, ME
•  Obscenity, 14th International Film Festival (FICPV), Puerto Vallarta, ME

•  Obscenity (Photo Exhibition), La Fresh Gallery, Madrid, Spain

•  Bruce LaBruce’s Polaroid Rage, Survey 2000 – 2010, Gallery Wrong Weather, Porto, Portugal
•  Ulrike’s Brain, Die Untoten: Life Sciences and Pulp Fiction, Kampnagel, Hamburg, Germany

•  L.A. Zombie: The Movie That Would Not Die, Peres Projects Berlin, Berlin, Germany

•  Blowback, Antigua Casa Haiku, Barcelona, Spain
•  Untitled Hardcore Zombie Project, Peres Projects Los Angeles, Los Angeles, USA

•  Otto; or, Up with Dead People, Museum of Modern Art, NY
•  17 Cocks, 3 Cunts, and a Trannie, Barcelona International Erotic Film Festival (Photography Exhibit), Barcelona, Spain

•  Polaroid Rage: A Survey of Polaroids, 2001 – 2005, Gallery 1313, Toronto, Canada

•  Heterosexuality Is the Opiate of the Masses (Raspberry Reich), Peres Projects Los Angeles, Los Angeles, USA

•  Blame Canada, John Connelly Presents, New York, USA

•  Photographs, Peres Projects, San Francisco, USA

•  Photographs, Bailey Fine Arts, Toronto, Canada

•  Bruce LaBruce, MC MAGMA, Milan, Italy
•  Power Race – Bruce LaBruce, Pitt Gallery, Vancouver, Canada

•  Bruce LaBruce, Alleged Gallery, New York, USA

  • Bruce LaBruce’s feminist zombie splatter performance at The Hole gallery in NYC. Starring Kembra Pfahler, Gio Black Peter, Carter Harrington, Slava Mogutin and Brian Kenny. Sound by Susanne Oberbeck of No Bra. Filmed by Seth Tillett on May 31, 2012.

  • hsitootm

    Images from “Heterosexuality Is The Opiate of the Masses” at Peres Projects in L.A


  • 0056

    Images from “Heterosexuality Is The Opiate of the Masses” at Peres Projects in L.A


  • El-Mundo-coverage-of-Obscenity-EM%2030-01-12-1-29

    El Mundo’ coverage of ‘Obscenity’ at La Fresh Gallery in Madrid (2012). The exhibit drew protests and harsh criticisms from religious organizations.


  • blowback

    Polaroids from ‘Blowback’ exhibition at Antigua Casa Haiku Gallery, Barcelona (2008) :
    Inspired by Otto, LaBruce surprised the audience with a special performance of “zombie-terrorist polaroids”. The visitors themselves became the subject of LaBruce’s lens, a once-in-a-lifetime opportunity. The set of polaroids became part of the exhibition once the performance was over and they will be used by the artist in future international exhibitions.

  • caveofdicks

    Sketch of the ‘Blame Canada’ installation, a collaboration with Terence Koh.
    Peres Projects gallery, Berlin (2007)

  • wrong-weather

    From the ‘Polaroid Rage’ exhibition , Survey 2000-2010 at The Gallery Wrong Weather, Portugal (2011)


•  Queering Sex, curated by Kathryn Garcia and Sarvia Jasso, Human Resources, Los Angeles, United States
•  Transgression, Beers Lambert Contemporary, London, United Kingdom
•  Every Line & Every Other Line, PLATFORM Centre for Photographic +Digital Arts, Winnipeg, Canada

•  Cinema X: I Like to Watch, MOCCA, Toronto, Canada
•  Imperfect As They Are: Superheadz Digital Harinezumi Camera Show, The New Museum, New York, NY, USA
•  Auto-Kino!, presented by Phil Collins, Temporäre Kunsthalle, Berlin

•  Minneapolis, Peres Projects Los Angeles, CA, USA

•  Bruce LaBruce: Blowback, Antigua Casa Haiku, Barcelona, Spain
•  Straight to Hell presents: In cock we trust, Exile, Berlin, Germany
•  Explicit Fantastic: Sex(y) in Contemporary Culture, Keep Six Contemporary, Toronto, Canada
•  Pretty Ugly, curated by Alison Gingeras, Gavin Brown’s Enterprise, New York, NY, USA
•  Expenditure, Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea
•  Summer Video Program, Peres Projects, Berlin, Germany
•  Like watching a train wreck, Groeflin Maag Galarie, Zurich, Switzerland

•  Blame Canada, two-person show with Terence Koh, Peres Projects Berlin, Germany
•  Gravity’s Rainbow, Peres Projects, Athens, Greece
•  BODYPOLITICX, Witte de With, Rotterdam, Netherlands
•  The Male Gaze, The Power House Arena, Brooklyn, NY, USA
•  Achtung FSK 18 – Vol 2, Galerie Tristesse in conjunction with the Pornfilmestival, Berlin, Germany

•  The Brotherhood, Neon Parc in conjunction with They Shoot Homos Don’t They, Melbourne Summer Festival, Australia; Australian Center for Photography, Sydney, Australia
•  Mid-Life Crisis, Salander-O’Reilly, New York, USA
•  Self-Absorption and Theatricality in the Age of Mechanical Reproduction, The Drake Hotel, Toronto, Canada
•  Into Me/Out of Me, P.S. 1, New York, Kunst Werk Institute for Contemporary Art, Berlin Germany, MAC, Museo d’Arte Contemporanea Roma
•  Mega Zines, Visionaire Gallery, New York, USA

•  Regarding Terror: the RAF-Exhibition, KW Institute for Contemporary Art, Berlin, Germany

•  The Sound of the Crowd, Ritter/Zamet, London, UK
•  Likeness: Portraits of Artists by Other Artists, curated by Matthew Higgs, California College of Arts Wattis Institute for Contemporary Arts San Francisco, CA
•  Under the Sun, Greener Pastures Contemporary Art, Toronto
•  NeoQueer, curated by David Lloyd Brown and Maura Reilly, COCA (Center on Contemporary Arts), Seattle, USA

•  Attack – The Kult 48 Klubhouse, K48 & Deitch Projects, NYC, USA
•  HOVERING, Peres Projects, curated by Daniele Balice & Anne Du Boucheron, Berlin, Germany
•  Now Playing, D’Amelio Terras, New York, USA
•  “My People Were Fair And Had Cum In Their Hair (But Now They’re Content To Spray Stars From Your Boughs)”, curated by Bob Nickas, TEAM Gallery, New York
•  Fox and His Friends, Garfield Gallery, Pittsburgh, USA
•  Platinum Oasis 2002: La Terra Vista Dalla Luna, curated by Ron Athey and Vaginal Davis, Los Angeles, USA

•  Platinum Oasis 2001: Sexual Repulsive, curated by Ron Athey and Vaginal Davis, Los Angeles, USA